For a classic franchise, sequels often follow one of two approaches. The first is the direction that stays true to the original while the second is an expansion of the world through narrative risks. While the latter may seem more exciting, a well-crafted tribute can often be the nostalgic reboot that a dormant franchise needs. Co-written and directed by Fede Álvarez, Alien: Romulus is a riveting trip to hell in space, despite its familiar structure.
Attempting to steal equipment from an abandoned space station, a group of space colonizers come face to face with the most terrifying life-form in the universe. The movie stars Cailee Spaeny, David Jonsson, Archie Renaux and Isabela Merced.
The set-up of Alien: Romulus is simple. A few individuals end up where they aren’t supposed to be and quickly discover they aren’t alone. What follows is what many will expect from an Alien feature. In this manner, it is true the 1979 release. Some may consider this to be a negative but, a few unnecessary elements aside, the film is still a wonderful homage that makes enough unique choices to stand on its own.
The true star of the picture is the sound and visuals on display. Gorgeously grimy, the environments offer a retro-futurism quality that many viewers will love being immersed in. In this regard, the cinematography by Galo Olivares is perfect for this type of movie. In conjunction with the imagery, the score by Benjamin Wallfisch will give you goosebumps thanks to its otherworldly themes.
The simple nature of the narrative has allowed for many utterly unforgettable sequences. While much of the story is about characters getting from one place to another, the obstacles they cross are uniquely built with tension in mind. It’s here that the picture delivers its own identity, establishing scenes that jump swiftly between being action-packed and uncomfortably scary.
Cailee Spaeny is a great choice for the lead role and her co-stars impressively support her. Notably, David Jonsson shines above all with a performance that requires elevated acting skills. Overall, the ensemble does a fine job playing off each other, especially in moments relating to how artificial intelligence interacts with humanity.
When it comes to the Xenomorph itself, Romulus is gloriously disgusting. The appearance of the monster may be familiar but its actions are refreshingly frightening. Fede Álvarez manages to depict the creature in ways never before seen, many of which convey the twisted sexuality of H.R. Giger’s original designs.
As touched on earlier, this film does rely on nostalgia for much of its runtime. In fact, a lot of the story may seem a little too referential for some. While this is certainly true for the first two acts, one cannot deny that the finale goes to places that few will expect. Without spoiling the details, the final threat of the movie is nothing short of completely vile, in the best way possible.
Although it cannot be considered entirely groundbreaking, Alien: Romulus is an exceptional franchise reset. All in all, this is the perfect picture for those hoping for a modern mirror of the original with some notable originality injected throughout.